Victoria Armour Studios
Home Recent Work Pricing Contact
About Me What to Expect Film Developing
Art Portraits Children Portraits Pets Babies + Birth Weddings:digital Weddings:film Groups + Families Music + Concerts Film Film: Soaks Film: Instant
Home About About Me What to Expect Film Developing Portfolio Art Portraits Children Portraits Pets Babies + Birth Weddings:digital Weddings:film Groups + Families Music + Concerts Film Film: Soaks Film: Instant Recent Work PricingContact
Victoria Armour Studios

Marla:

☆☆☆☆☆
Thank you Victoria Armour for the wonderful family pictures again! You always do such a great job

Victoria ArmourDecember 8, 2024
Facebook0 Twitter LinkedIn0 Reddit Tumblr Pinterest0 0 Likes
Previous

Rachel

Victoria ArmourMarch 13, 2025
Next

Rebecca:

Victoria ArmourJune 17, 2021

follow @victoriaarmourstudios:

when i think of you, i think of suns setting and moons rising, and the absurdity of time bending to cradle it all. and if i ever forgot my own name, i’d still remember yours. and i thought that, by now, maybe you should know.
“fragmented gaze” / a hand cut and pasted collage composed of images from vintage books and magazines. initially made this piece as a quick “tester” to try out a new varnish, but ended up loving the tones and layering. my w
superia 400 soaks — part two. superia 400 soaks (part one) “summertime” / a hand cut and pasted collage on a 45 record, composed of images from vintage books and magazines; used under fair use principles.
some film soaks for your feed (fujifilm 400, minolta x-700).
roanoke, va captured with kodak ektachrome (expiration date of ‘84) i had hoped you’d taste like morning fog, the subtle creak of old gates, damp pine needles, faith in our existence, or maybe lips that love me. but when it rains, it pours in sepia monochromic cloud-tears. and, as we waded barefoot in the bleak even now i wish i had counted my steps, been able to trace my way back. i guess i would straighten my spine and untwist my owl neck, always too caught looking backwards listening for things that cannot be heard. and i guess i would leave you everythi an unfocused triad, damaged negatives. (shot on expired 35mm lomochrome purple). i. one day you dragged me out beneath the storm clouds to sit in their shadow — you pressed close your pulse and asked if the echoes matched the ones in your wrist. ii. the next time you lingered jus yet, here i am. here i am.
450x500logo.png

home
about
contact
pricing
FILM DEVELOPING
Leave a review

 
 

Copyrights ©VictoriaArmourStudios 2021 | All rights reserved